Cobalt – Gin

Cobalt Gin:

Wow a Black metal duo, never heard of that before. Actually these guys are really good. They play Black Metal but instead of just punching the guitar over and over while the drummer hits as many things as he can, they actually have musical skill. There are neat passages of atmosphere and just cool riffs. Cool riffs in Black Metal? Blasphemy. Plus Jabroe shows up, so that’s pretty sweet. Overall this is awesome Black Metal that shows what the genre could do if more artists went beyond corpse pain and moaning about frigid mountains.

Advertisements

Freak Out!

I have to be honest, I could care less about buying most new CD’s and records. Its not because, I don’t like new music. On the contrary, I think theres probably the highest percentage of good music being released now than ever before. It takes time to dig through all the crap, but any resourceful individual can go on last.fm or twitter or allmusic, or search through the thousands of review sites out there and find a lot of amazing music.

I’m also not in favor of pirating music. People deserve money for their art, particularly young artists attempting to push creative boundaries. If you’re going to download music, you should do it directly from an artists website, or their record labels site. This is the best way to insure that the artists and labels you support, get the largest cut of the money you spent on their product possible. That way they can afford to keep producing art, and possibly widen their creative range by allowing them to purchase better equipment.

My real issue is that most CDs and records come in packaging whose only purpose is to look aesthetically pleasing. Other than some pictures and basic band info, the most you’re going to get from most packaging is some lyrics and maybe a story or two about the band. Most bands miss the point that the packaging can be just as important as the music on the album.

I got a chance to check out an original printing of Freak Out! by Frank Zappa and The Mothers of Invention. Freak Out! was released in 1966. At the time the most dangerous acts around were The Rolling Stones (whose rebellious streak was sheerly for appearances sake) and Bob Dylan. The Beatles wouldn’t release Revolver until the end of the year. Basically it was a draconian environment for anyone who didn’t want to get a decent job, have a family, and compete with the Joneses.

Into this climate Frank Zappa dropped a bombshell. Freak Out! advocated the restructuring of society into a place where tolerance and free speech would be advocated, and giant corporations would be forced to act ethically and produce good products lest they be replaced by independent firms.  He advocated all these ideas in songs which mixed ideas from R&B and 20th century avant-garde together in a perfectly executed sonic dada fest. Zappa was much brighter and realistic than his contemporaries. There was no, “love is the answer,” bullshit to be found here. There was only cold hard reality, and how to realistically change the way things are. Pretty radical ideas even for today.

Unlike todays artists Zappa didn’t have access to Myspace. There wasn’t even an independent music community to speak of. No zine promotion, no independent music clubs run by douchebags in wearing white belts. There was nothing. He was alone. So, the only way to reach the people who may be interested in his music, was to promote himself, play lots of gigs, and create packaging for his product designed to lure in the dissatisfied. <!– @page { size: 8.5in 11in; margin: 0.79in } P.sdfootnote { margin-left: 0.2in; text-indent: -0.2in; margin-bottom: 0in; font-size: 10pt } P { margin-bottom: 0.08in } A.sdfootnoteanc { font-size: 57% } –>

Zappa spent a large amount of money on the packaging for Freak Out! Unlike most records, the packaging was not meant to attract the average record buyer. The album cover of Freak Out! shows a 27 year old Zappa with long black hair grown past his shoulders, and his trademark mustache and goatee. The Mothers surrounded him, wearing beads, possessing strange facial hair, and in general looking radical and threatening. The album cover insinuated that these were radical road worn men who presented a threat to society.

In contrast to The Mothers, The Beatles were barely out of their teens when they released, “Meet The Beatles.” The cover shows four well combed kids smiling with their perfect teeth. The cover looks like four kids without much experience playing music, trying to look cute to attract girls. Except for Ringo, who worked as a session musician, none of The Beatles had any experience in the music industry. Prior to the release of Freak Out! Zappa had owned his own studio, recorded popular artists, and had extensive experience as a studio engineer and film editor. Not to mention The Mothers who were a hard working bar band prior to Zappa’s arrival.

By the time the public was introduced to Zappa his personality and ideas about music and politics were largely solidified. Comparatively John Lennon entered the public eye as a cute pop star with some latent anti-religious beliefs. One can chart the growth of his personality through The Beatles transition from cute pop stars into somewhat radical social critics, over the course of several albums. Zappa chose a more direct route to radicalism. Neil Slaven comments on the back cover stating, “The world was introduced to Suzy Creamcheese on the back cover. Her letter, written by Frank, was composed of sentences designed to attract the album’s potential ‘freak’ audience and repulse symbols of authority.1

Upon opening Freak Out!, the viewer is barraged with information quotes such as, “The present-day composer refuses to die!” and “If your children ever find out how lame you really are, they’ll murder you in your sleep.”  Also included in the album was a list of over 200, “Freaks.” The list mentioned everyone from 20th century avant-garde composers to Zappa’s high-school music teachers.  Enclosed in the original pressing, Zappa included a list of 36 Freak hot spots, where people could go and experience the counterculture.

Freak Out! wasn’t just an album with some songs that you liked on it. It was a cultural artifact which sought to expose America to new ideas, whether they be social or musical, that were being repressed by the predominant culture of the day. Though other artists have done unique and interesting things with CD packaging, I can’t think of anyone who made there packaging as multi-faceted and engaging as Zappa’s. Young bands who think they are doing something truly culturally important, should consider utilizing the packaging, as a venue for expressing their ideas just as much so as their music. Remember kids every scrap of information or product that is put out there with your name on it represents you, and in turn influences how people think of you.

1Slaven 61

<!– @page { size: 8.5in 11in; margin: 0.79in } P.sdfootnote { margin-left: 0.2in; text-indent: -0.2in; margin-bottom: 0in; font-size: 10pt } P { margin-bottom: 0.08in } A.sdfootnoteanc { font-size: 57% } –>

Scryer – Necessary Evils EP

Scryer Necessary Evils EP:

This is an interesting listen. There is gamut of styles on this album, some work and some not so much. The vocals are usually shouted reminding me at times of Refused. The lyrics are at times cringe-inducingly bad, but these moments tend to be followed up by an awesome musical passage so the embarrassment is lessened. Yet sometimes the lyrics are good. Over all Scryer show off good musicianship and creativity all while having a sound that could easily be played on the Radio.

Obits – I Blame You

Obits I Blame You:

Your hipster friends are raving about this album, aren’t they? It’s a piece of indie rock that goes for a retro feel. You can dance to it and makes a suitable soundtrack to that next roof or loft party you go to. Yet Obits does nothing new. This sound has been done many a time and this release doesn’t do anything to improve on it. So like your hipster friends it’s more imitative instead of innovative, but it’s still worth a listen.

Minus The Bear-Acoustics

Minus The Bear Acoustics:

Acoustic versions of previously released songs. For a band that relies heavily on effects pedals, making an acoustic EP seems like a dangerous idea. Normally guitar dominated, going acoustic gives more focus to the lyrics and piano playing than on the original tracks. Don’t despair though, the guitars get a lot of time to shine, and do so effectively, imaginatively reinvented for this EP. Fortunately the lyrics and piano playing are both as enjoyable as the reworked guitar parts, and the band reinvents their tunes successfully. Though I’d say the originals beat out the acoustic versions, this EP is an interesting and worthwhile listen. I wouldn’t advise new listeners to start with this disk though, since much of what makes this album interesting is comparing the new versions to the originals, and quite frankly this EP isn’t what Minus The Bear are about, this is just a rewarding detour.

Telefon Tel Aviv-Immolate Yourself

Telefon Tel Aviv Immolate Yourself:

Emotive electronic music. This albums three key features are drum machines, synthesizers, and vocals. The beat choice is interesting and the drum sounds work well for the tracks they’re found in. The synthesizer lines are simple but effective. Though many songs have a couple different synthesizer tracks, they never drown each other out. Each track helps set the mood of the particular song. In short, musically this disk is great mood setting techno music. The vocals, when used as an instrument drifting in and out of the synthesizer tracks, enhance the listening experience and provide more of a human element in a wall of machine generated sounds. When the vocals are clear and at the forefront of the track, they detract from the mood, because frankly when they’re not buried in effects they’re not that good, nor are the lyrics. Overall this is a solid release from a good band, even on the tracks with the cheesy vocals, the music makes up for it.

RIP Charlie Cooper


The Number Twelve Looks Like You – Worse Than Alone

The Number Twelve Looks Like You Worse Than Alone:

After listening to this, I’m disappointed. The first half of this album just falls flat. Bad vocals, lame music. Then it picks up and gets to show off why people like this band. So really an uneven affair that should have been cut short and called an EP.